Maxfield Parrish Cleópatra ::

Maxfield Parrish. CLEOPATRA, dated 17 oil and collage on paper laid down on board. Painting. 30 ½ by 34 inches 77.5 by 86.4 cm Signed. Estimate. Realized. This Pin was discovered by Kasidah. Discover and save! your own Pins on Pinterest.

24/04/2019 · This original Maxfield Parrish large Cleopatra art print is in excellent condition. The colors are vibrant, crisp and clean. There is no foxing, tears or water-damage. The picture has slipped down slightly in the frame which you can see in the pictures but can be easily fixed. It is in a beautiful.

King of the Black Isles - Maxfield Parrish - If God is above seeing all, then Maxfield Parrish surely captured exactly how God feels: occasionally peering through his portal towar. RARE MAXFIELD PARRISH Large Original 1917 "Cleopatra" Uncirculated colors Print - $2,150.00. This listing is for a Rare Original 1917 Maxfield Parrish large "Cleopatra" art print. What makes this print extremely rare are the uncirculated colors. I have been specializing in Original Maxfield Parrish vintage prints since 1976 and this is by far.

Maxfield Parrish Vintage Cleopatra Print c. 1917. This piece has been framed to an overall size of 32.5" - Available at Sunday Internet Comics Auction. View Cleopatra by Maxfield Parrish on artnet. Browse upcoming and past auction lots by Maxfield Parrish. Maxfield Parrish "CLEOPATRA" 1918 Scarce Vibrant Medium Size Art Print Printed by House of Art for C. A. Crane Candy Co. Vibrant Mint Colors, as Shown. Very Crisp, Clean, and has No Damage or Foxing Noted, as Shown. In an Original Cornered Crane Period Frame in. Maxfield Parrish Print "Cleopatra", large size, 24" x 27 1/2", framed. We use cookies to understand how you use our site and to improve your experience. This includes personalizing content and advertising. Maxfield Parrish Fakes and Reproductions. Before we begin our discussion, we need to define the word "reproduction". All of Maxfield Parrish's magazine covers, calendars and advertisements were taken from a painted original which was then reproduced on paper by the process of color printing.

His wife, Lydia, and Maxfield grew increasingly estranged and she left him in 1911. Susan stayed with Maxfield for another 50 years. From the 1930s until 1960, when he stopped painting, Maxfield Parrish refocused his attention on the world around him, producing a series of calendar landscapes.

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